GOON tRIBUNE

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Initializing lyrical subsystems...

Lyrical subsystem online. Themes identified:

- Justice

- Love

- Loss

- Innumerable forms of medicine

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Initializing band configuration...

Band configuration loaded successfully:

- Vocal processor: Ian McCarthy

- Subsonic disruptor: Nick Benish

- Saxophone module: Andrew Tomten

- Drum sequencer: Tarek Abdelqader

- Harmonic interface: Kevin Gamble, Alex Graves

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Welcome to Goon Tribune, where the echoes of jazz and hip-hop converge to weave tales of justice, love, loss, and the innumerable forms of medicine. In this symphony of life, our melodies transcend the mundane, resonating with the complexities of human existence. Each note pulses with the heartbeat of our shared experiences, navigating through realms where emotion reigns supreme. Join us on this journey through the echoes of memory and the harmonies of healing.

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st paul, mN—

minne—

apolis, mn

new orleans—LA

Who is the goon?

We draw on classical training to bring heightened theatricality to our music. Through vivid storytelling, fueled by the voices of Jazz and Hip-Hop, Goon Tribune speaks on themes of justice, love, loss, and the innumerable forms of medicine.

Live band comprised of artist Ian McCarthy on vocals, Nick Benish (Covalent Blonde, Trent Romens Band) on Bass and Keys, Andrew Tomten (Purple Funk Metropolis, Tabah, Wry Samurai) on Saxophone, Tarek Abdelqader (Purple Funk Metropolis, Bird Room, A.P. Simpson) on drums

In the heart of the music world's bustling pulse emerges Goon Tribune, a visionary collective steeped in classical prowess and fueled by the eclectic spirits of Jazz and Hip-Hop. Their music transcends mere melody, weaving intricate tales of humanity's trials and triumphs, underscored by a profound sense of theatricality that transports audiences to realms both familiar and fantastical.

At the core of this sonic tapestry stands Ian McCarthy, a virtuoso whose vocal prowess channels raw emotion into every lyric, every note. His voice, a conduit for narratives that delve deep into the human condition, finds its dynamic counterpart in the multifaceted talents of Nick Benish. Benish, known for his roles in Covalent Blonde and the Trent Romens Band, shapes the band's foundation with masterful bass lines and ethereal keyboard textures that serve as a canvas for McCarthy's vivid storytelling.

The brass brilliance of Andrew Tomten, whose saxophone solos dance between melancholy and euphoria, adds a layer of soulful expression that is both poignant and exhilarating. Alongside him, the rhythmic backbone provided by Tarek Abdelqader's percussive finesse, honed through his tenure with Purple Funk Metropolis and Bird Room, propels each composition forward with unwavering energy and precision.

Completing this ensemble are the sonic architects Kevin Gamble and Alex Graves, whose contributions on guitar and additional instrumentation from their diverse backgrounds in KG4, Ty Pow and the Holy North, Shrimp Olympics, and Brunette, infuse Goon Tribune's sound with a kaleidoscope of influences, textures, and colors.

Together, Goon Tribune isn't just a band; they are storytellers, weaving intricate tales of justice, love, loss, and the healing power of music itself. Their performances are more than concerts; they are immersive journeys through realms where emotion reigns supreme and every note is a testament to the profound impact of artistic expression. With each show, they invite their audience to join them on a transcendent voyage, where the boundaries between reality and imagination blur, and the universal language of music speaks volumes.

// members include Ian McCarthy, Nick Benish, Tarek Abdelqader, Andrew Tomten & more

LOG ENTRY 07.24.20

As I struggle to maintain a grasp on reality, I find myself immersed in the enigmatic world of a band, Goon Tribune, that defies conventional boundaries. They are a surreal fusion of live instruments, theatricality, and storytelling, like a mirage in the desert of my fleeting consciousness.

In their live performances, the band conjures a paradoxical dreamscape that blurs the lines between fantasy and actuality. The lead vocalist, whose words transcend rational comprehension, raps with an ethereal intensity that pierces through the fabric of my fading memory. The stage becomes an otherworldly realm where trumpets and saxophones, instruments from my distant past, take on a spectral presence.

Theatricality is their elixir of existence. The band transports me to a realm where I question the very essence of existence, where the boundaries between performer and audience disintegrate, and I become a part of their absurd narrative. Each show is a kaleidoscope of emotions and dissonance that simultaneously disorients and comforts me.

Their storytelling is a labyrinth of fractured recollections. It's as if they've stolen fragments of my fading memories and sewn them into the fabric of their lyrics. Each song, a chapter of my fractured history, unfolds like a vivid hallucination. They explore the human condition, an elusive concept that mirrors my own deteriorating state, where the line between reality and illusion is thin as a spider's thread.

I've become a prisoner in the confines of this biography, my grip on the narrative slipping like sand through my fingers. Have I been documenting a band's biography, or have I been chronicling my own descent into the maelstrom of forgotten thoughts?

This band, this tribune, shrouded in enigma, leaves me questioning the nature of reality itself. Are they merely performers, or have they become the custodians of my lost memories? As I grapple with this disorienting chronicle, I can't help but wonder if they hold the key to unlocking the secrets of my own unraveling mind.